nevver:

“It is not where it is or what it is that matters, but how you see it.” — Saul Leiter

3:54 pm  •  18 May 2013  •  648 notes

artslant:

Cui Fei, Tracing IX I i,  2012, Gelatin silver photogram,  24 x 16 in.;  Cui Fei, Manuscript of Nature V_005, 2013, Tendrils and pins on panel, 57 x 170 in.; Courtesy Chambers Fine Art.

Cui Fei: Tracing the Origin

Fei’s work honors the cultural authority of such “beautiful writing” in material and feel, while simultaneously refusing it. The sculptures and installations in “Tracing the Origin” do not translate as literal, coherent text, or proper Chinese calligraphy for that matter. Fei’s forms cannot be read…

3:46 pm  •  14 May 2013  •  8 notes

theleoisallinthemind:

photographs by Joakim ESKILDSEN

2:36 pm  •  13 May 2013  •  9 notes

mpdrolet:

Secretary at West German radio in Cologne, 1931

August Sander

2:26 pm  •  8 May 2013  •  195 notes

gurafiku:

Japanese Poster: Oita Asian Sculpture Exhibition. Ikko Tanaka. 1996

1:41 pm  •  8 May 2013  •  190 notes

mpdrolet:

Trees, 1994

Cy Twombly

3:25 pm  •  1 May 2013  •  147 notes

solsetur:

Saul Leiter

2:23 pm  •  29 April 2013  •  57 notes

breathingvioletfog:

faye-j:

Los Alamos by William Eggleston.

(via paleblck)

8:09 pm  •  27 April 2013  •  1,161 notes

(Source: andren)

1:09 pm  •  22 April 2013  •  85 notes

somewhatreal:

João Penalva

Minamisemba 1 cho-me. Archival pigment print, 79 × 60”. 2005-06 (printed 2012).

Looking up in Osaka-Ebisu Higashi 2 cho-me, Naniwa-ku (#3). Archival pigment print, 79 × 60”. 2005-06 (printed 2012).

Looking up in Osaka-Ebisu Higashi 2 cho-me, Naniwa-ku (#2). Archival pigment print, 79 × 60”. 2005-06 (printed 2012).

(via areashape)

7:25 pm  •  19 April 2013  •  9 notes